2009 — 2022 · Cairo

Creative Direction
Egypt

Cairo made me. Fifteen years, four agencies, and an education no school sells.

I started at TBWA\Egypt in 2009, a copywriter with more opinions than experience. Year one delivered a Dubai Lynx Silver in print for Pattex “Sticks Anything.” The opinions turned out to be worth something.

Then Kairo for Ideas, where the film and radio work got loud. Pizza King “The Ballad for Real Men” took Lynx Silvers in radio and scriptwriting. “The Egyptian Superheroes” and Electrostar “Home Politics” took African Crystals Emeralds. Two years of learning that Egyptian humour, written right, travels.

Then FP7, and the year everything compounded. Two MENA Effie Golds in one cycle: Coca-Cola “Share a Coke” and Mobinil “Net Heads.” McDonald's and Mansour Chevrolet in the book. Proof that the work could be funny, famous and effective at the same time.

Then seven years at Wunderman Thompson, the long chapter. Senior Copywriter to Creative Director, the full climb inside one house. A seven-person team. Vodafone, Shell, Froneri, Ora. The Effie Gold for Shell Rimula “What Matters Is Inside.” And the campaign that predicted everything that came later: Vodafone “An Ode to Al Ahly Fans,” a Lynx Silver for work built entirely on football fan culture, six years before I ever set foot in Footballco. The fan-first instinct was always there. Egypt is where it was born.

15Years in Cairo
3Effie Golds
60+Commercials

That is the heritage. I can do it in my sleep. I just refuse to sleep.


01

The films

Cairo, 2009 — 2023

Shell Rimula Launch · 2017 · Wunderman Thompson Cairo
Shell Rimula Part II · 2018 · Wunderman Thompson Cairo
Shell Rimula Part II · 2022 · Wunderman Thompson Cairo
Ora — East vs West · Ramadan 2023 · Wunderman Thompson Cairo
Zed Sports Club Launch · 2023 · Wunderman Thompson Cairo
Freska Launch · 2013 · Kairo for Ideas · Copy 1
Vodafone Red relaunch · 2022 · Wunderman Thompson Cairo
Alex Bank × Mo Salah Launch · 2017 · Wunderman Thompson Cairo
Shell Rimula · Ramadan 2023 · Wunderman Thompson Cairo
ABK Digital Wallet Launch · 2017 · Wunderman Thompson Cairo · Copy 1
ABK Digital Wallet Launch · 2017 · Wunderman Thompson Cairo · Copy 2
ABK Digital Wallet Launch · 2017 · Wunderman Thompson Cairo · Copy 3
Mobinil Net Heads · 2014 · FP7 Cairo · MENA Effie Gold · Copy 1
Mobinil Net Heads · 2014 · FP7 Cairo · Copy 2
Mobinil Net Heads · 2014 · FP7 Cairo · Copy 3
Freska Launch · 2013 · Kairo for Ideas · Copy 2
Freska Launch · 2013 · Kairo for Ideas · Copy 3
Copa Coca-Cola × Abu Trika · 2015 · FP7 Cairo
Coca-Cola Name Song · 2014 · FP7 Cairo
Copa Coca-Cola × Wael Gomaa · 2015 · FP7 Cairo
Baheya · Ramadan 2021 · Wunderman Thompson Cairo
Vodafone × Al Ahly · 2017 · Wunderman Thompson Cairo · Dubai Lynx Silver
Shell Helix × Al Ahly · 2021 · Wunderman Thompson Cairo

02

Case studies

Every title I have held since is downstream of a copywriting job. The metal that came early came for writing: a Lynx Silver in scriptwriting for Mobinil “Net Heads,” a Lynx Silver in radio for Pizza King “The Ballad for Real Men,” a Lynx Silver in print for Pattex.

I write in English and Egyptian Arabic, and I write for both registers — the boardroom and the stands. That range is the reason the fan work lands. You cannot write for a terrace in a language you learned from a deck.

The craft has not changed. The output has. Today a script leaves my desk already visualised, art-directed and motion-tested, because I work full-stack with AI — Higgsfield, Nano Banana, Veo, Kling. The old divide between copy CDs and art CDs is dead. I helped bury it.

Case study 01
Case study 02
Case study 03
Case study 04
Case study 05
Case study 06